Pose #9 - Disgust

This character is in a female in her mid-thirties to early forties and around 5'7" to 5'9" in height. Right now, she shows varying degrees of disgust with the dishes presented or even recommended to her. The first pose (closest to the left) shows her disinterest and subtle distaste for the dish presented to her, as she has a subtle side-eye with rejected sneer (indicated from her facial expression). Her body leans more to the right to distance herself from the dish and comes across in a stand-offish posture. The second pose (middle of the three) is her in mid-action of disgust to the mere mention of fatty fast food such as hotdogs, french fries, or a hamburger. She jumps in revulsion (indicated by the bent in her legs and sway of her dress) and with her hands, she waves off the terrible ideas brought forth to her. The last pose (closest to the right) is her holding a plastic bag filled with awful "take-out" food. She holds the bag as far away as possible from her body and turns her body in the other direction for extreme disapproval. 

This character is a renowned chef, specifically in food culture. She thinks of food more as her art-pieces, with the flavors of taste as her self-expression and vibrant colors. Anything below her standards is disgusting and repugnant. These poses demonstrate her varying degrees of disgust, an expression that she frequently expresses throughout her career. Her interns and employees have seen these expression countless times before, probably more than any other expression she posses. Her smile and approval can be as rare as a Dodo bird, in other words, practically extinct.

The most visually important part of the pose is her long draping dress because it is a metaphorical length of her craftsmanship journey as well as a physical boundary. I want the audience to look at her hair and earrings (which are giant platinum silver utensils). The center of the weigh of the character is found in her heavy dress fabric, specifically where it folds.